A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
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From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo...
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In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious...
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America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and...
7.61974HD
Fascinated by the idea of being able to create life through science, a count produces a monster from corpses. Does the creature have a...
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Elena, a young college student, meets Victoria, a charismatic and daring young woman. Together they will live a passionate and tumultuous story that...
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Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in...
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The man-hungry “vampire,” later to be popularized by America’s Theda Bara, made her screen debut in this Danish melodrama directed...
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A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial...
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New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
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In the near future, rapid evolution of technology has led humanity in the creation of holograms identical to dead people.
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Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore....