ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
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The mind of a prisoner, expressed through various poetic stanzas, corrodes at the same rate as the house they are trapped in.
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The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
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Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
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Computer imagery dances before a techno soundtrack.
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You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works....
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What happens when two hands touch? How close are they like? And how can proximity be measured, and even more so, in times of a pandemic and...
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A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz...
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Abstract shapes morph in and out of focus.
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A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning...
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Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar surfaces.
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Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what...