ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
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An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.
7.31999HD
An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which...
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A meditation on isolation through paint textures, video collage and sound
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An experimental short from Oskar Fischinger
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Painful memories are unleashed following an act of violent suicide.
6.21992HD
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
4.51971HD
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
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The light's in a student's room begin to shut off around him. He must escape the room before he is swallowed by darkness.
12023HD
6.52020HD
A man tries to escape a never-ending dream.
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A surreal horror film following an obsessive actress who finds herself trapped within a cursed theatrical production where she is forced to choose...
6.31970HD
Experimental animation/live-action short by Dušan Vukotić