ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
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One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film. The...
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Valarie sets up a photo shoot.
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Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
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An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which...
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A fun-loving, unsuspecting woman checks into a hotel and encounters a cannibalistic mass murderer who is possessed by evil spirits.
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A parking lot is haunted by the spirit of a dead killer who waits for the perfect moment to unleash spooks and thrills. Who will be next?
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How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while...
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Impressions on the topic of plastics set to Vivaldi's Winter: blizzard, dancing moons, beats ice, sparkling silver crystals, petrified wood frozen.
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A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this...
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