C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.
02023HD
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered...
02009HD
A good feast in the countryside.
02024HD
On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present...
02020HD
A quasi-documentary look at how certain things fit together. This film embraces an unhurried tempo.
02010HD
A walk in the woods become a metaphoric journey in Chloé Leriche's short film. As a solitary figure moves through the forest, the texture of...
102023HD
Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memories that have been tainted by earworms, bad...
02021HD
102024HD
02024HD
A dare from Swedishllama (UrolithicOak)
01970HD
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
02024HD
Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of...
02021HD
A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.